2015–2018
Terraformation
Site-specific clay, geology, and memory become a language of place.
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Major bodies of work
Martie Geiger-Ho’s ceramic practice moves between vessel, sculpture, landscape, mythology, found material, and geological process. Each body of work has its own page so its visual and conceptual character can unfold without being compressed into a single portfolio stream.
2018–present
Terraformation Series II
Atmospheric color and altered vessel forms evoke Badlands, coastlines, erosion, and changing skies.
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2019–2022
Arched Earth Cradles
Arches become bridges between shelter and passage, isolation and renewed connection.
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2008–present
Resurfaced Eccentricities
Wire-cut surfaces, pooled glass, and porcelain inclusions generate intuitive ceramic landscapes.
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2011–present
South China Sea
Beachcombed Chinese pottery shards reconnect material history with the contemporary ceramic object.
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1996–2009
Shangri-La
Hong Kong seacoasts, luminous glass pools, and vessel traditions converge in an imagined ceramic refuge.
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1987–present
Kiln Goddesses
Protective deities, kiln lore, fire, and archetype are reimagined through contemporary ceramic sculpture.
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1987–1994
Zoomorphic
Headless beasts and divided animal forms embody psychological tension between conscious and subconscious selves.
Explore the series →Portfolio structure
Series introduction → contextual statement → curated gallery → enlarged artwork information.